Секретное оружие для Careless Whisper ASPARAGUSproject
Секретное оружие для Careless Whisper ASPARAGUSproject
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"I know it sounds really weird and a kind of romantic thing to say, but I remember exactly where it happened, where I was sitting on the bus, how I continued and everything.
The one thing you have to bear in mind above all else is that George's ego was the biggest thing in Wham. Bigger than Andrew, bigger than the name, bigger than their earlier, 'cheaper' hits.
George Michael had just arrived at the studio and said 'that’s the one, that’s the sax solo I want'. This could be down to that whole 80s synth concept where sounds became increasingly 'manufactured', or just that George never recognized it was 'wrong'."
After Wexler booked the top saxophone player from Los Angeles to do the famous solo: "He arrived at eleven and should have been gone by twelve," said Wham! manager Simon Napier-Bell. "Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment.
"I have no idea, but it's ironic that this song - which has come to define me in some way - should have been written right at the beginning of my career when I was still so young. I was only 17 and didn't really know much about anything - and certainly nothing much about relationships."
in 2009: "I'm still a bit puzzled why it's made such an impression on people... Is it because so many people have cheated on their partners? Is that why they connect with it?
She didn't know it was me. It was a few years later and I looked a lot different. Then we played a school disco with the Executive and she saw me singing and decided she fancied me. By this time she was that much older and a big buxom thing – and eventually I started seeing her. She invited me in one day when I was waiting for my lift and I was... in heaven.[15]
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“Careless Whisper” became a timeless classic, celebrated for its emotional depth, smooth production, and George Michael’s expressive vocal performance. It continues to be one of his most beloved and frequently played songs, remaining popular across generations.
George and Andrew took inspiration from stories from George's early romantic moments. George explained that much of the song's content is based on events from his childhood.
I was a fat boy in glasses and I had a big crush on her—though I didn't stand a chance. My sister used to go and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[15]
"Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment. He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."[25]
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Although George Michael co-wrote the song with his Wham! partner Andrew Ridgeley when they were just 17, it stands out as a much more mature and introspective piece than their earlier pop hits.